Skip to main content

New Orleans Club photograph collection

 Collection
Identifier: 2022-002

Scope and Contents

This is a collection of several promotional photographs of national and local performers featured at the New Orleans Club. The collection includes photographs of Louis Jordan and his band, Ken Murray’s Blackouts of ’43, Jimmy Jackson, A.G. Godley, Teddy Felton, “Taps” Harris, Pierce & Pierce and an unknown band. The collection also includes printouts of newspaper articles and genealogical records found when researching the materials.

Dates

  • Creation: circa 1940s

Creator

Conditions Governing Access

Collection is open and available for use.

Conditions Governing Use

Copyright restrictions apply.

Biographical / Historical

The New Orleans Club operated in the late 1940s and early 1950s near the Longacres racetrack in Renton. The club featured a chef from New Orleans, a barbeque pit, and live shows with both local musicians such as Ernestine Anderson and traveling acts like Louis Jordan and his band. Billie Holiday also visited the club in 1949. In addition to live performances, the club held other events such as Labor Day picnics which drew crowds from across the state and a Miss Bronze beauty contest. The photographs appear to have been owned by Arthur James Cravens (1911-1984) and his wife Violet A. Cravens (1920-1991) based on inscriptions written by the performers. The 1950 Census lists Arthur Cravens as a doorman at a nightclub. The couple, married in 1947, had an interracial marriage at a time when it was legal in only several states. Arthur was Black and Violet was white. Brief descriptions for each of the photographed performers are included below.

Louis Jordan (1908-1975) was a musician, songwriter and bandleader active during the 1930s through 1950s. Jordan and his Tympany Five band topped R & B charts in the 1940s and recorded with the likes of Ella Fitzgerald and Louis Armstrong. He was inducted into the Rock and Roll Hall of Fame in 1987 and described as the "The Father of Rhythm & Blues" and "The Grandfather of Rock 'n' Roll.”

Ken Murray (1903-1988) began his career as a vaudeville comedian, eventually creating the Blackouts, a variety show with a large cast of actors, dancers, pantomimes, musicians and animals. The first Blackouts show was at Los Angeles’ El Capitan Theater in 1942 and it later became one of the longest running stage shows in history. The show’s star, actress Marie Wilson, started in a record-breaking 3,126 consecutive performances.

Jimmy Jackson was an R & B saxophonist and bandleader. His hit record was “Honkin,” released in 1952 with Jimmy Jackson and the All Stars.

A.G. (Alex G.) Godley (1903-1973) was a jazz drummer who was born in Arkansas and active in Kansas City. He eventually came to live in Seattle where his obituary lists him as a member of the Marine Cooks and Stewards Union and First A.M.E. (African Methodist Episcopal) Church.

Teddy Felton (1919-?) was a dancer specializing in soft shoe and tap dancing who was based out of Portland, Oregon. He sometimes went by the nickname “Harlem Flash.” Felton performed at Seattle’s Lyons Music Hall in 1947, the Palomar in 1950, the Show Box in 1952, and The Colony Restaurant in 1959.

“Taps” Harris guest performer on “From Central to Vine.” Harris performed at The Colony Restaurant in 1965 and 1966 and the Rivoli Theater in 1967.

Pierce and Pierce were a comedy, song and dance duo who performed at the Palomar Theater in 1944 and the Show Box in 1943 and 1944.

Full Extent

.07 Linear Feet (1 pamphlet binder)

Language of Materials

English

Metadata Rights Declarations

  • License: This record is made available under an Attribution-NonCommercial 4.0 International Creative Commons license.

Abstract

Photographs of performers who visited the New Orleans Club, a nightclub and restaurant located near Renton, Washington during the 1940s and 1950s.

Arrangement

This collection was processed at the collection-level.

Immediate Source of Acquisition

Collection was purchased in 2022.

Processing Information

Acknowledgement of Harmful Content
The Seattle Public Library Special Collections Department is committed to creating an inclusive archive that documents the history of our diverse communities in a respectful manner. Our collections include historic materials that may contain images and outdated language which can be harmful due to issues such as racism, colonialism, sexism and homophobia. This content can provide important insight into the creator and context of the historic materials but can also reveal hurtful biases and prejudices.

We may decide to use or retain harmful language in our description when the terms have been used by the creator(s) of the materials to describe themselves or their community; when we have reused description created by the donor; when we have transcribed information directly from the materials; and when using national standards such as Library of Congress Subject Headings, which allow for standardized searching and retrieval of records. When including language from the original material in our finding aids or descriptions, we will indicate that this material comes directly from the original item by putting the language in quotes or prefacing it with a note that says the description is transcribed from the item or provided by the creator.

We will continually review our finding aids to identify harmful language and encourage you to contact us at specialcollections@spl.org if you find language that causes concern.

Title
New Orleans Club photograph collection, circa 1940s
Author
Finding aid prepared by Jade D’Addario
Date
April 2022
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Repository Details

Part of the Seattle Public Library, Special Collections Repository

Contact:
1000 4th Ave.
Seattle WA 98104 United States
206-386-4636